The altitude 70,000 feet
高空70,000英尺
這是一個充滿政治性的視野。高空70,000英尺,是美國在冷戰時期,現代軍事用途飛機中,U-2偵察機所能飛行的最高空域,飛行員的視野第一次能平坦的滑行在青藍色漸變的大氣層中。
作品《高空70000英尺》以螢幕作為一個現代觀賞媒介的形式,結合一款在冷戰時發明的高空偵察機的U2駕駛艙,這一款高空偵察機是美國在冷戰時期為了監控敵對國家的重要軍事設施,所研發出的秘密飛機,它所能飛行的最高空域就是高空70000英尺,美國透過這款飛機蒐集了許多重要的軍事情報。因此,這款飛機的飛行員的視角具有高度的視覺政治性,我試著以螢幕作為一個視窗的概念結合影像裡飛行員第一人稱視角,疊合這兩個概念,討論更多關於影像、觀看媒介、視點互相滲透下的觀看政治。
This is a political Perspective. The altitude 70,000 feet is a highest airspace U-2 reconnaissance aircraft can fly, for the first time, the pilot's field of vision can glide smoothly in the cyan-blue gradual atmosphere.
The work named Altitude 70,000 feet used the screen as a modern viewing medium to combine the cockpit of U-2 reconnaissance aircraft invented from the cold-war , a secret for surveilling the enemy's important Military building, America collect a lot of intelligence with this aircraft. Therefore, the viewing of pilot belong the U-2 is high degree of visual politics. I try to overlap the concept of screen as a window with a pilot's first-person perspective to discuss more about penetration between the image with medium of viewing, and perspective .
作品《高空70000英尺》以螢幕作為一個現代觀賞媒介的形式,結合一款在冷戰時發明的高空偵察機的U2駕駛艙,這一款高空偵察機是美國在冷戰時期為了監控敵對國家的重要軍事設施,所研發出的秘密飛機,它所能飛行的最高空域就是高空70000英尺,美國透過這款飛機蒐集了許多重要的軍事情報。因此,這款飛機的飛行員的視角具有高度的視覺政治性,我試著以螢幕作為一個視窗的概念結合影像裡飛行員第一人稱視角,疊合這兩個概念,討論更多關於影像、觀看媒介、視點互相滲透下的觀看政治。
This is a political Perspective. The altitude 70,000 feet is a highest airspace U-2 reconnaissance aircraft can fly, for the first time, the pilot's field of vision can glide smoothly in the cyan-blue gradual atmosphere.
The work named Altitude 70,000 feet used the screen as a modern viewing medium to combine the cockpit of U-2 reconnaissance aircraft invented from the cold-war , a secret for surveilling the enemy's important Military building, America collect a lot of intelligence with this aircraft. Therefore, the viewing of pilot belong the U-2 is high degree of visual politics. I try to overlap the concept of screen as a window with a pilot's first-person perspective to discuss more about penetration between the image with medium of viewing, and perspective .
錄像裝置| Video Installation
時間|00:05:00
年份|2021
創作者 | 林哲志 Lin Zhe - Zhi
技術協力
影像控制技術( Image Control Program with Raspberry B3+ ) | 張欣語 CHANG Hsin-Y u